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Gender In The Duchess Of Malfi

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... self-creation. This next duchess will soon be, like her nixed predecessor, no more round out the tone of "My Last Duchess." In conclusion, by examining "My Last Duchess," we can appreciate understand how the elements of poetry work together to enforce any duchess's deportment. In command of drawing the curtain on the duchess, the duke tries to limit her scope qualifications for cutting a woman down to size. Meeting the dead, atropic duchess's "earnest glance" heterocosm of"My Last Duchess" to a locus classicus, Virgil's Aeneid, which shows ...



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Sources list for GENDER IN THE DUCHESS OF MALFI:

Webster, John John Russell Brown, ed., The Duchess of Malfi. London: Methuen, 1969
Chivalry in Renaissance Drama

Webster, John R.V. Holdsworth ed., Webster: The White Devil and The Duchess of Malfi." New York: Macmillan 1975.
Chivalry in Renaissance Drama

Mulryne J. R. "'The White Deviol' and 'The Duchess of Malfi.'" Jacobean Theatre, I. Stratford-Upon-Avon Studies. London: Arnold, 1960.
Chivalry in Renaissance Drama

Dupras, Joseph A. "Browning's `My Last Duchess': Paragon and Parergon. Vol. 32. Papers on Language & Literature." 1996. Site Accessed November 21, 2003 Dupras, Joseph A. "Browning's `My Last Duchess': Paragon and Parergon. Vol. 32. Papers on Language & Literature." 1996. Site Accessed November 21, 2003 <http://search.epnet.com/dir ect.asp?an=9603010888&db=aph>
"My Last Duchess"

Browning, Robert. My Last Duchess. The Norton Anthology of English Literature. Vol. II. New York: W. W. Norton and Company. 1986.
"My Last Duchess"

 


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